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The Culture & Aesthetics of Durga in Nepalamandala (HB) by Milan Ratna Shakya
The Culture & Aesthetics of Durga in Nepalamandala (HB) by Milan Ratna Shakya
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Culture & Aesthetics on Durga in Nepal Mandala upholds the cultural-religious assessment attentively on aesthetic perspective of Hindu-Buddhist myth, Aesthetically this is transmitting the sakta milieu since medieval mores. This labor rests plainly on cultural influence mother-goddess in Kathmandu Valley b: austerity of Sakta shrines. Its religious sequence involves a separate study o 'Astamatrika cult of Nepaliamandala' for justification of Tantric persuade in Newar study. In this, the consent of Sakambari Durga can be incredibly cogitated for the historic people's victory from Vanadevi Janadevi. Further to enrich Dhanadevi am Santanadevi as the aim of "Laksmi" ii opulence and well-beings of the state This study will facilitate the norm o struggle for the feat of victory in prosperity.
Nor it seeks just to narrate the festival events as the cultural thesis. Instead i analyses the source of cultural am aesthetic motifs on Durga perspective is Nepala-Mandala.
Scholars 'perusal to this work is cooperative to researchers and student of Nepalese religion, aesthetics, cultural history and archaeology. Author has tried to justify those estimable sacred attributes on this cultural study.
About the Author
The Chair of Central Department of Buddhist Studies, Tribhuwan University, Associate Professor Milan Ratna Shakya, is a Ph.D. in Nepalese History, Culture & Archaeology (2005) of two decades schooling and three decades painting skills as a painter, and Academic Council of Royal Nepal Academy for 2004 to 2007. He is the author of religious studies and Aesthetics under cultural philosophic viewpoint. He had penned Ganesa in Medieval Nepal (2006), The Bhairava Cult in Nepal (2008) on this chain of thoughts. His awarded book on Ancient Sto
Nor it seeks just to narrate the festival events as the cultural thesis. Instead i analyses the source of cultural am aesthetic motifs on Durga perspective is Nepala-Mandala.
Scholars 'perusal to this work is cooperative to researchers and student of Nepalese religion, aesthetics, cultural history and archaeology. Author has tried to justify those estimable sacred attributes on this cultural study.
About the Author
The Chair of Central Department of Buddhist Studies, Tribhuwan University, Associate Professor Milan Ratna Shakya, is a Ph.D. in Nepalese History, Culture & Archaeology (2005) of two decades schooling and three decades painting skills as a painter, and Academic Council of Royal Nepal Academy for 2004 to 2007. He is the author of religious studies and Aesthetics under cultural philosophic viewpoint. He had penned Ganesa in Medieval Nepal (2006), The Bhairava Cult in Nepal (2008) on this chain of thoughts. His awarded book on Ancient Sto
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